Sorrow, memory, the thought of ‘me’, all belong to time, and when one stays in the present moment, when one is attending to something with the working mind totally engrossed in what is being done, something extraordinarily pure and beautiful happens: the ‘me’ is absent
After the ban on photographing the Tashkent metro in Uzbekistan was lifted this summer, Amos Chapple, RFE/RL’s photographer went underground to reveal the art, architecture and nuclear-blast protection in Central Asia’s oldest subway system
